Derrida and Differance, ed. Wood & Bernasconi, Warwick: Parousia Press
1985, p. 1-5
  "Letter to a Japanese Friend"
  10 July 1983

     Dear Professor Izutsu,

At our last meeting I promised you some schematic and preliminary
reflections on the word "deconstruction". What we discussed were
prolegomena to a possible translation of this word into Japanese, one which
would at least try to avoid, if possible, a negative determination of its
significations or connotations. The question would be therefore what
deconstruction is not, or rather ought not to be. I underline these words
"possible" and "ought". For if the difficulties of translation can be anticipated
(and the question of deconstruction is also through and through the question of
translation, and of the language of concepts, of the conceptual corpus of so-
called "western" metaphysics), one should not begin by naively believing that
the word "deconstruction" corresponds in French to some clear and univocal
signification. There is already in "my" language a serious [sombre] problem of
translation between what here or there can be envisaged for the word, and the
usage itself, the reserves of the word. And it is already clear that even in
French, things change from one context to another. More so in the German,
English, and especially American contexts, where the same word is already
attached to very different connotations, inflections, and emotional or affective
values. Their analysis would be interesting and warrants a study of its own.

When I chose the word, or when it imposed itself on me - I think it was in *Of
Grammatology* - I little thought it would be credited with such a central role
in the discourse that interested me at the time. Among other things I wished to
translate and adapt to my own ends the Heidggerian word Destruktion or
Abbau. Each signified in this context an operation bearing on the structure or
traditional architecture of the fundamental concepts of ontology or of Western
metaphysics. But in French "destruction" too obviously implied an annihilation
or a negative reduction much closer perhaps to Nietzschean "demolition" than
to the Heideggerian interpretation or to the type of reading that I proposed. So
I ruled that out. I remember having looked to see if the word "deconstruction"
(which came to me it seemed quite spontaneously) was good French. I found it
in the Littré. The grammatical, linguistic, or rhetorical senses [portees] were
found bound up with a "mechanical" sense [portee "machinique"]. This
association appeared very fortunate, and fortunately adapted to what I wanted
at least to suggest. Perhaps I could cite some of the entries from the Littré.

"Deconstruction: action of deconstructing. Grammatical term. Disarranging
the construction of words in a sentence. 'Of deconstruction, common way of
saying construction', Lemare, De la maniére d'apprendre les langues, ch.17, in
*Cours de langue Latine*. Deconstruire: 1. To disassemble the parts of a
whole. To deconstruct a machine to transport it elsewhere. 2. Grammatical
term... To deconstruct verse, rendering it, by the suppression of meter,



 

      Derrida  "Letter to a Japanese Friend"         2


  similar to prose. Absolutely. ('In the system of prenotional sentences, one also
starts with translation and one of its advantages is never needing to
deconstruct,' Lemare, ibid.) 3. Se deconstruire [to deconstruct itself] ... to lose
its construction. 'Modern scholarship has shown us that in a region of the
timeless East, a language reaching its own state of perfection is deconstructed
[s'est deconstruite] and altered from within itself according to the single law of
change, natural to the human mind,' Villemain, *Preface du Dictionaire de
l'Academie*."

Naturally it will be necessary to translate all of this into Japanese but that only
postpones the problem. It goes without saying that if all the significations
enumerated by the Littré interested me because of their affinity with what I
"meant" [voulais-dire], they concerned, metaphorically, so to say, only models
or regions of meaning and not the totality of what deconstruction aspires to at
its most ambitious. This is not limited to a linguistico-grammatical model, let
alone a mechanical model. These models themselves ought to be submitted to a
deconstructive questioning. It is true then that these "models" have been
behind a number of misunderstandings about the concept and word of
"deconstruction" because of the temptation to reduce it to these models.

It must also be said that the word was rarely used and was largely unknown in
France. It had to be reconstructed in some way, and its use value had been
determined by the discourse that was then being attempted around and on the
basis of *Of Grammatology*. It is to this value that I am now going to try to
give some precision and not some primitive meaning or etymology sheltered
from or outside of any contextual strategy.

A few more words on the subject of "the context". At that time structuralism
was dominant. "Deconstruction" seemed to be going in the same direction
since the word signified a certain attention to structures (which themselves
were neither simply ideas, nor forms, nor syntheses, nor systems). To
deconstruct was also a structuralist gesture or in any case a gesture that
assumed a certain need for the structuralist problematic. But it was also an
antistructuralist gesture, and its fortune rests in part on this ambiguity.
Structures were to be undone, decomposed, desedimented (all types of
structures, linguistic, "logocentric", "phonocentric" - structuralism being
especially at that time dominated by linguistic models and by a so-called
structural linguistics that was also called Saussurian - socio-institutional,
political, cultural, and above all and from the start philosophical.)

This is why, especially in the United States, the motif of deconstruction has
been associated with "poststructuralism" (a word unknown in France until its
"return" from the States). But the undoing, decomposing, and desedimenting
of structures, in a certain sense more historical than the structuralist
movement it called into question, was not a negative operation. Rather than



 

      Derrida  "Letter to a Japanese Friend"         3


  destroying, it was also necessary to understand how an "ensemble" was
constituted and to reconstruct it to this end. However, the negative appearance
was and remains much more difficult to efface than is suggested by the
grammaar of the word (de-), even though it can designate a genealogical
restoration [remonter] rather than a demolition. That is why the word, at least
on its own, has never appeared satisfactory to me (but what word is), and must
always be girded by an entire discourse. It is difficult to effect it afterward
because, in the work of deconstruction, I have had to, as I have to here,
multiply the cautionary indicators and put aside all the traditional
philosophical concepts, while reaffirming the necessity of returning to them,
at least under erasure. Hence, this has been called, precipitately, a type of
negative theology (this was neither true nor false but I shall not enter into the
debate here).

All the same, and in spite of appearances, deconstruction is neither an analysis
nor a critique and its translation would have to take that into consideration. It
is not an analysis in particular because the dismantling of a structure is not a
regression toward a simple element, toward an indissoluble origin. These
values, like that of analysis, are themselves philosophemes subject to
deconstruction. No more is it a critique, in a general sense or in Kantian sense.
The instance of krinein or of krisis (decision, choice, judgment, discernment)
is itself, as is all the apparatus of transcendental critique, one of the essential
"themes" or "objects" of deconstruction.

I would say the same about method. Deconstruction is not a method and cannot
be tranformed into one. Especially if the technical and procedural
significations of the word are stressed. It is true that in certain circles
(university or cultural, especially in the United States) the technical and
methodological "metaphor" that seems necessarily attached to the very word
deconstruction has been able to seduce or lead astray. Hence the debate that has
developed in these circles: Can deconstruction become a methodology for
reading and for interpretation? Can it thus be allowed to be reappropriated
and domesticated by academic institutions?

It is not enough to say that deconstruction could not be reduced to some
methodological instrumentality or to a set of rules and transposable
procedures. Nor will it do to claim that each deconstructive "event" remains
singular or, in any case, as close as possible to something like an idiom or a
signature. It must also be made clear that deconstruction is not even an act or
an operation. Not only because there would be something "patient" or
"passive" about it (as Blanchot says, more passive than passivity, than the
passivity that is opposed to activity). Not only because it does not return to an
individual or collective subject who would take the initiative and apply it to an
object, a text, a theme, etc.



 

     Derrida  "Letter to a Japanese Friend"         4


  Deconstruction takes place, it is an event that does not await the deliberation,
consciousness, or organization of a subject, or even of modernity. It
deconstructs itself. It can be deconstructed. [Ça se deconstruit.] The "it" [ça] is
not here an impersonal thing that is opposed to some egological subjectivity. It
is in deconstruction (the Littré says, "to deconstruct itself [se deconstruire]...
to lose its construction"). And the "se" of "se deconstruire," which is not the
reflexivity of an ego or of a consciousness, bears the whole enigma. I
recognize, my dear driend, that in trying to make a word clearer so as to assist
its translation, I am only thereby increasing the difficulties: "the impossible
task of the translator" (Benjamin). This too is meant by "deconstructs".

If deconstruction takes place everywhere it [ça] takes place, where there is
something (and is not therefore limited to meaning or to the text in the current
and bookish sense of the word), we still have to think through what is
happening in our world, in modernity, at the time when deconstruction is
becoming a motif, with its word, its privileged themes, its mobile strategy,
etc. I have no simple and formalizable response to this question. All my essays
are attempts to have it out with this formidable question. They are modest
symptoms of it, quite as much as tentative interpretations. I would not even
dare to say, following a Heideggerian schema, that we are in an "epoch" of
being-in-deconstruction, of a being-in-deconstruction that would manifest or
dissimulate itself at one and the same time in other "epochs". This thought of
"epochs" and especially that of a gathering of the destiny of being and of the
unity of its destination or its dispersions (Schicken, Geschick) will never be
very convincing.

To be very schematic I would say that the difficulty of defining an therefore
also of translating the word "deconstruction" stems from the fact that all the
predicates, all the defining concepts, all the lexical significations, and even the
syntactic articulations, which seem at one moment to lend themselves to this
definition or to that translation, are also deconstructed or deconstructible,
directly or otherwise, etc. And that goes for the word deconstruction, as for
every word. *Of Grammatology* questioned the unity "word" and all the
privileges with which is was credited, especially in its nominal form. It is
therefore only a discourse or rather a writing that can make up for the
incapacity of the word to be equal to a "thought". All sentences of the type
"deconstruction is X" or "deconstruction is not X" a priori miss the point,
which is to say that they are at least false. As you know, one of the principal
things at stake in what is called in my texts "deconstruction" is precisely the
delimiting of ontology and above all of the third person present indicative: S is
P.

The word "deconstruction", like all other words, acquires its value only from
its inscription in a chain of possible substitutions, in what is too blithely called
a "context". For me, for what I have tried and still try to write, the word has



 

      Derrida  "Letter to a Japanese Friend"         5


  interest only within a certain context, where it replaces and lets itself be
determined by such other words as "ecriture", "trace", "differance",
"supplement", "hymen", "pharmakon", "marge", "entame", "parergon", etc.
By definition, the list can never be closed, and I have cited only names, which
is inadequate and done only for reasons of economy. In fact I should have
cited the sentences and the interlinking of sentences which in their turn
determine these names in some of my texts.

What deconstruction is not? everything of course! What is deconstruction?
nothing of course! I do not think, for all these reasons, that it is a good word
[un bon mot]. It is certainly not elegant [beau]. It has definitely been of service
in a highly determined situation. In order to know what has been imposed
upon it in a chain of possible substitutions, despite its essential imperfection,
this "highly determined situation" will need to be analyzed and deconstructed.
This is difficult and I am not going to do it here. One final word to conclude
this letter, which is alread too long. I do not believe that translation is a
secondary and derived event in relation to an original languag or text. And as
"deconstruction" is a word, as I have just said, that is essentially replaceable in
a chain of substitution, then that can also be done from one language to
another. The chance, first of all the chance of (the) "deconstruction", would be
that another word (the same word and an other) can be found in Japanese to
say the same thing (the same and an other), to speak of deconstruction, and to
lead elsewhere to its being written and transcribed, in a word which will also
be more beautiful. When I speak of this writing of the other which will be
more beautiful, I clearly understand translation as involving the same risk and
chance as the poem. How to translate "poem"? a "poem"?...

With my best wishes,

     Jacques Derrida



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